Two choral works that were first heard over 200 years apart comprise our tremendous Season Finale. Geistliche Chormusik, published in 1648, is a setting of German texts and choral music. The German Requiem, which debuted on Good Friday in 1868, is a beloved masterpiece revered as one of the most significant choral works in classical music.
 

Schütz is often seen as a composer who helped bridge the gap between the Renaissance and Baroque periods. His works exhibit both the aesthetics of the Renaissance and the expressive freedom and drama of the Baroque, making "Geistliche Chormusik" a fascinating blend of these styles.
 

Brahms' German Requiem is not specifically tied to any religious denomination but addresses the broader human experience of consolation and redemption. This approach was innovative and resonated with audiences seeking a more secular and inclusive perspective.