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Symphony Name

Sunday, May 19 at 3:00 p.m.

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About This Performance

Dr. J. Arturo González collaborates with The Evergreen Chorale, Kirsten Carpenter Ortman, and Steven Taylor to perform Brahms's "German Requiem", a beloved masterpiece revered as one of the most significant choral works in classical music.

Venue
Details
Program

​SCHÜTZ  "Selig sind die Toten" from Geistliche Chormusik
BRAHMS  "Ein deutsches Requiem" (A German Requiem)  

Artists

Kristen Carpenter Soprano
Steven Taylor Baritone

The Evergreen Chorale- Christine Gaudreau Chorus Master & Guest Conductor

Dr. J. Arturo Gonzalez JSO Music Director & Conductor

Sponsors

Meet the Artists

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Olivia Walker

Role

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Dan Mitchell

Assistant Manager

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Noah Patterson

Programming Editor

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Listen and Discover

Beethoven.png

Symphony Name

Sunday, May 19 at 3:00 p.m.

  • Instagram
  • Facebook

About This Performance

Dr. J. Arturo González collaborates with The Evergreen Chorale, Kirsten Carpenter Ortman, and Steven Taylor to perform Brahms's "German Requiem", a beloved masterpiece revered as one of the most significant choral works in classical music.

  • 1 Hour and 30 Minutes

  • Requiem performed in original German language with English subtitles

Program

​SCHÜTZ  "Selig sind die Toten" from Geistliche Chormusik
BRAHMS  "Ein deutsches Requiem" (A German Requiem)  

Sponsors

Listen and Discover

Artists

Olivia Walker

Editor in Chief

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Noah Patterson

Programming Editor

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Dan Mitchell

Assistant Manager

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Tess Anderson

Art Director

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Did You Know?

  • Two choral works that were first heard over 200 years apart comprise our tremendous Season Finale. Geistliche Chormusik, published in 1648, is a setting of German texts and choral music. The German Requiem, which debuted on Good Friday in 1868, is a beloved masterpiece revered as one of the most significant choral works in classical music.
     

  • Schütz is often seen as a composer who helped bridge the gap between the Renaissance and Baroque periods. His works exhibit both the aesthetics of the Renaissance and the expressive freedom and drama of the Baroque, making "Geistliche Chormusik" a fascinating blend of these styles.
     

  • Brahms' German Requiem is not specifically tied to any religious denomination but addresses the broader human experience of consolation and redemption. This approach was innovative and resonated with audiences seeking a more secular and inclusive perspective.
     

Also of Interest

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The Green Center on Colorado School of Mines Campus houses a Grand Lobby, two lecture halls, and its newly renovated auditorium...

The Green Center

Free Tickets for Jeffco Students All Season!

Our concerts are free for Jeffco school students! Enjoy a symphonic experience with your students or family. Use promocode: JEFFCO...

Did You Know?

  • Two choral works that were first heard over 200 years apart comprise our tremendous Season Finale. Geistliche Chormusik, published in 1648, is a setting of German texts and choral music. The German Requiem, which debuted on Good Friday in 1868, is a beloved masterpiece revered as one of the most significant choral works in classical music.
     

  • Schütz is often seen as a composer who helped bridge the gap between the Renaissance and Baroque periods. His works exhibit both the aesthetics of the Renaissance and the expressive freedom and drama of the Baroque, making "Geistliche Chormusik" a fascinating blend of these styles.
     

  • Brahms' German Requiem is not specifically tied to any religious denomination but addresses the broader human experience of consolation and redemption. This approach was innovative and resonated with audiences seeking a more secular and inclusive perspective.
     

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